In my multidisciplinary practice, I work with materials and situations that are characterized by an ambivalence of alienation and everydayness. Interwoven with performative, filmic and sculptural stagings, I explore hybrid states of bodies and objects in the field of tension between nature and culture. Drawing is a central component of my process and marks the outlines of certain mental images, which then manifest themselves as fragments in sculptural objects and stagings.

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In embodiments of otherworldly figures and constructed images composed of outlines of a cultural everydayness and an alienated wilderness, I seek as a performative figure within my productions to outline the conditions of appearance, whereby disappearance plays just as important a role, with my sculptural props showing themselves as defining shells and as the only witnesses of an event or a presence. I understand performance as a way of marking transitions that are located between body and image, figure and voice.

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My music, which mainly consists of the production of pop music, is often a component of my works, in which I move on the border between concert and performance. The combination of sculptural-performative processes with specially composed pop music inscribes itself as an emotional and ritual voice. This creates a field for me in which body, object, sound and landscape overlap in an idiosyncratic way - between sensuality, disturbance and poetic approach.

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